The Kitty AI

It is year 2039. An artificial intelligence with the affective capacities of a kitten becomes the first non-human governor. She leads a politician-free zone with a network of Artificial Intelligences. She lives in mobile devices of the citizens and can love up to 3 Million people.

Excerpt from “The Kitty AI”:

“I was only 8 months old when all hell broke loose in West Eurasia. Well actually that makes 15 human years for a cat, so perhaps I wasn’t that young.

We were all terrified, man, woman, cat, dog, child, kitten, all of us. In hindsight, P-Crisis EMEA, was almost as terrifying as World War II, in that, its emotional impact on our collective consciousness was significant. At least to us millennials who have been very well isolated from concepts like scarcity and frugality – it was a shell shock.

We had experienced violence but mostly from video games or CGI heavy horror movies.  We had experienced loss, but only when we lost our iPhones or broke up w/ our “swipe-right” girlfriends. We had experienced chaos, but only in our desktops or our bedrooms while looking for clean underwear amidst a vortex of scarcely worn outfits."

More about the artist here:

 

#Love Apparatus

Located at the Eastgate Entrance, Highcross Shopping Centre @apparatus_love Can apparatus love? We don’t know for sure, but surely they can say things about love! “#LoveApparatus” (@apparatus_love) is an art installation created for the ART-AI FESTIVAL, taking place Leicester between 30 April and 13 May 2018. #LoveApparatus delivers generative love text aphorisms that will be projected in Highcross Shopping Centre, Leicester, and posted to the twitter account “@apparatus_love”. Combining scrapping techniques, neural networks – using machine learning, an artificial intelligence technique – and a social network account, this art project delivers every 3 minutes a novel ‘love quote’ for its followers. The public can interact with the apparatus by tweeting using the hashtag “#LoveApparatus”. All public contributions are analysed by the algorithm to identify its level of ‘loveliness’, and the ones with a high score are fed into the network to generate future love quotes.

More about the artist here

Comments from Ernest Edmonds, pioneer of AI in art

It is exciting to have the Art-AI Festival in Leicester this year and very appropriate to see the strong support from De Montfort University. DMU’s involvement goes back nearly 50 years, when it was Leicester Polytechnic.

(available on Amazon)

Two Invention of Problems events around 1970 showed art experiments and presented talks on the subject, including by one of the most important pioneers of AI in art, Edward Ihnatowicz. He returned later in the 70s for what was probably the first full conference on the subject, Human and Robot Behaviour. That was a meeting of scientific and artistic minds coming from such groups as Edinburgh’s AI Lab and the Royal College of Art.

A few years later another pioneer of Art and AI, the late Harold Cohen, spent some time at Leicester Polytechnic inspiring both staff and students. Today DMU’s Institute of Creative Technologies (IOCT) is a strong player in the Art-AI field with several members using AI in their art and music as a standard part of their practice.

(both available on Amazon)

Craig Vear is an internationally renowned composer whose music employs AI and I myself have employed AI in various aspects of my art for most of my career. The latest work of Fabrizio Poltronieri, a relatively recent recruit to IOCT, can be seen as part of the festival.

(Fabrizio Poltronieri’s installation for the Art-AI Festival,

located in Highcross Shopping Centre)

 

Ernest Edmonds

Professor of Computational Art

Institute of Creative Technologies

De Montfort University